After all, Cyrus has spent the majority of her recording career deploying lead singles as hints to upcoming shifts in her sound and style, with clear demarcations between album eras and the tweaks in public persona that the pop superstar adopts for each. From her Disney days — when songs like “See You Again” and “7 Things” pointed toward the commercial aspirations of the teen star — to the devil-may-care flare-ups of her Can’t Be Tamed and Bangerz periods, the first five years of Cyrus’ career featured sharp pivots in sound and attitude, often to denote how “adult” how projects at the time should be considered.
As Cyrus continued to evolve, full-length explorations of psychedelica, country-pop and retro-rock were given coming attractions befitting their sounds. Now, “Flowers” nods toward where Cyrus, currently one of popular music’s most fascinating shape-shifters, is headed next.
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So which lead singles illustrate Cyrus’ pop power most effectively, especially now that there’s a new one to consider? All eight of Cyrus’ lead singles have their charms — truly, not a flat-out dud in the bunch — but some of her songs excel as both previews of their host albums and standalone gems in her catalog. And while it’s still early days for “Flowers,” we tried our best to consider its place among Cyrus’ lead singles to date, and humbly rank the new track among the seven that have stood tall for years. (One note before we begin: 2015’s Miley Cyrus & Her Dead Petz did not have an official radio single as an independent release, but it does have a song that’s considered its lead single, so that’s the one we ranked.)
Here are Miley Cyrus’ lead singles, ranked.
Miley Cyrus & Her Dead Petz was a glorious mess — a shambolic, proudly drugged-out independent release that was made with The Flaming Lips and threw up a middle finger at top 40 expectations post-Bangerz. Parts of the album are brilliant (“Lighter” remains one of Cyrus’ most perfect pop songs to date), other parts are unlistenable (at nearly five minutes, “Milky Milky Milk” is a tough hang), and “Dooo It!,” the lead track that Cyrus premiered while hosting the 2015 MTV Video Music Awards, encapsulates the set’s dramatic highs and lows in a relatively short amount of time. The song’s zonked-out bounce never really moves forward, but some of its exclamations (“Yeah, I smoke pot, yeah, I love peace!,” “Sing about LOVE!&rdquo
are still a blast to shout along with when the speakers are turned up.
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At a time when Disney Channel stars like the Jonas Brothers and Demi Lovato were releasing family-friendly pop-rock hits, Cyrus shed her Hannah Montana alter ego and joined that sound as well. “7 Things” turns teen drama into a wholly propulsive product, with Cyrus rattling off her crush’s worst qualities until finally throwing her hands up and admitting her feelings; the heightened emotion works, and begs the listener to climb aboard for the rush of the chorus. Released a year before “Party in the U.S.A.” became her true post-Hannah Montana smash, “7 Things” stands as a fan favorite today, and a precursor to even bigger things to come for the burgeoning pop star.
After the release of Bangerz turned Cyrus into a chart-topping party-starter and Dead Petz brought her on a trippy detour, “Malibu” acted as a palette-cleanser, its soft-rock edges signaling a calmer, more adult vision. “Malibu” is meant to evoke a SoCal sunset in both its gently strumming arrangement, ocean imagery and lyrical approach, in which Cyrus pleads for a perfect moment to continue on forever. And while the lead single to 2017’s Younger Now lacks the sort of barnstorming hook that Cyrus has made a calling card, the FM radio grace of “Malibu” stands out in her catalog, and is always a welcome surprise when it pops on.